Defining the Music Producer

My production style lies mostly in live recording, I like to come up with ideas on a guitar, record them and then build on the composition in a DAW.

  • Skills Audit

    AreaSelf-rating (1–5)Comments / Examples
    Digital Audio Workstations (DAWs)  Ableton, Logic, etc. 3I’m proficient in DAWs such as Logic Pro and FL Studio, but I have limited experience with Ableton and Pro Tools.
    Recording Techniques  microphones, gain staging, audio setup 4Recording is one of my favorite parts of producing, I’ve done lots of research into things like the Glyn Johns drum recording technique, X & Y recording technique. I also do a lot of recording at home and in my local studio using the mics I have access to e.g. Shure SM57
    MIDI Sequencing & Programming 3In the DAWs I use, I know exactly how to access and use these functions on a basic level, I wouldn’t say I’m an expert when it comes to these functions as I know there are many shortcuts and functions within programming and MIDI sequencing.
    Sampling & Synthesis 2I’ve done some sampling and some synthesis before, and I wouldn’t say I’m knowledgeable when it comes to either.
    Mixing & Effects Processing 3I have an alright understanding of mixing and effects processing, as I’ve worked on a multitude of projects, both my own and band projects that I’ve done some mixing for.
    Sound Design & Creative Processing 1 I have little to no experience when it comes to sound design like programming patches from scratch on a synthesizer.
    Critical Listening & Analysis 4When I listen to music, I’m always looking for interesting ideas that I can put into my own, whether that be something as small as a drum fill I like, or an effect on a guitar. Then, once I know what it is I’m hearing, I’ll try and research it and experiment.
    Collaboration & Communication 4I play in a band that regularly plays together, so I think through those experiences both my collaboration & communication skills have improved heavily.
    Organisation & Workflow 4My organisational skills are pretty good, when it comes to my work I like to just get things done as quick as possible, when it comes to small class work and things like that. With bigger projects, I like to split my time up before I start so I can make sure I’m on track for a deadline.

    “Fast Forward Into Dub” by Mad Professor, Neil Fraser

    In this track from 1985, Mad Professor uses heavy modulation through techniques such as: Echo, Reverb and Delay in order to express his vision for the future of dub. The track is dowsed in reverb and delay, it begins immediately with a vocal sample, then the drums come in and you can hear someone talking, most likely Mad Professor, then a simple arpeggio on the piano is introduced.

    All these first parts of the track, like most of the track, are paired with delay, reverb, echo, or a mix of these, the delay is likely coming from a Roland SDE 3000 DDL, which was one of Mad Professor’s favourite units (shown in his “Prince Fatty TV” interview on Youtube and due to the fact he had six of them in his Ariwa Sound Studios in Croydon), due to its pitch shifting/speed varying capabilities when it came to the delay clock ,you can hear the use of these features in the vocals throughout most of the song alongside some reverb to give them that signature dub texture.

    On the drums, Mad Professor heavily used spring reverb which gives the snare that metallic sound and lets those toms that are panned to the right ring out quite a bit. He also it on a clap/pitched up snare sound which is also panned but to the left.

    As with many dub tracks the arrangement of this track is really interesting, for example, he takes layers out like the piano and bass for example, and will replace it by looping the delay for a few seconds before either reintroducing the same layers or adding new ones.

    Bibliography:

    https://www.muzines.co.uk/articles/diary-of-a-madman/3442

  • Skills Audit

    AreaSelf-rating (1–5)Comments / Examples
    Digital Audio Workstations (DAWs)  Ableton, Logic, etc. 3I’m proficient in DAWs such as Logic Pro and FL Studio, but I have limited experience with Ableton and Pro Tools.
    Recording Techniques  microphones, gain staging, audio setup 4Recording is one of my favorite parts of producing, I’ve done lots of research into things like the Glyn Johns drum recording technique, X & Y recording technique. I also do a lot of recording at home and in my local studio using the mics I have access to e.g. Shure SM57
    MIDI Sequencing & Programming 3In the DAWs I use, I know exactly how to access and use these functions on a basic level, I wouldn’t say I’m an expert when it comes to these functions as I know there are many shortcuts and functions within programming and MIDI sequencing.
    Sampling & Synthesis 2I’ve done some sampling and some synthesis before, and I wouldn’t say I’m knowledgeable when it comes to either.
    Mixing & Effects Processing 3I have an alright understanding of mixing and effects processing, as I’ve worked on a multitude of projects, both my own and band projects that I’ve done some mixing for.
    Sound Design & Creative Processing 1 I have little to no experience when it comes to sound design like programming patches from scratch on a synthesizer.
    Critical Listening & Analysis 4When I listen to music, I’m always looking for interesting ideas that I can put into my own, whether that be something as small as a drum fill I like, or an effect on a guitar. Then, once I know what it is I’m hearing, I’ll try and research it and experiment.
    Collaboration & Communication 4I play in a band that regularly plays together, so I think through those experiences both my collaboration & communication skills have improved heavily.
    Organisation & Workflow 4My organisational skills are pretty good, when it comes to my work I like to just get things done as quick as possible, when it comes to small class work and things like that. With bigger projects, I like to split my time up before I start so I can make sure I’m on track for a deadline.

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